Necesse est vivere non series#

This project has kindly been supported by the Mondriaan Fund, the municipality of Hoorn, and Leerwerkbedrijf Oostereiland. Support the making of the records on Voordekunst. A mondás második része a következképpen szól: 'Vivere non est necesse.'Vagyis: élni nem muszáj. Ez a latin szólás - magyarra talán így fordíthatnánk: hajózni szükséges - kifejezi már a római korban is érvényes igazságot, amely a tengeri kereskedelem és szállítások fontosságát hangsúlyozza. Navigare necesse est, vivere non est necesse ('Navigare indispensabile, vivere no'), anche noto nelle sue variazioni navigare necesse est, vivere non necesse est o navigare necesse est, vivere non necesse e vivere non necesse, navigare necesse est, l'esortazione che, secondo Plutarco, Gneo Pompeo diede ai suoi marinai, i quali opponevano resistenza a imbarcarsi alla volta di Roma a causa. The records will be available for sale at HMK. Navigare necesse est, vivere non est necesse.

Necesse est vivere non series#

The covers for the records will be a series of 50 original drawings by Cater and Kruk. The small artist edition of 50 will be handmade by master lathe cutter Sebastian Buczek. The song created for the series of performances will be preserved on a 8″ vinyl record.

The local and distant public will be invited to take passage and experience a non-everyday happening. These intimate performances are limited to 40 in total. In an attempt to discover these emotions, the artists endeavour to offset any potential feelings of claustrophobia, with a prosaic, modest quality of words and sound, and ask you to contemplate the unimaginable with them on a voyage of indeterminate scale. Is it possible to develop a resonant relationship with a stranger in such a short time, in such confined surroundings? Remigare Necesse… addresses anxieties, nervousness, fears and hopes, with a polyphony of sensory information including speech, music, song, ritual and situation. The performances take single passengers onto the water in a small rowing boat and metaphorically take the living to the underworld and back again. Created during a two month working period in which they familiarized themselves with the locality – finding sounds, words, and places – this series of one on one performances on the water, prompts the participants into wondering: ‘who are those strangers, can we trust them?’